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Showing posts with label Duck Room. Show all posts
Showing posts with label Duck Room. Show all posts

Thursday, May 24, 2018

The Wanting: @redwantingblue w/ @lizbrasher Thurs. 5/31 @BlueberryHillMO @DuckRoom



On Thursday, May 31st Red Wanting Blue will be performing at the Blueberry Hill Duck Room along with support by Liz Brasher. This show is presented by Pagan Productions. The doors open at 7:00 pm. The concert lasts from 8:00 pm to 11:45 pm. Tickets are $15.00 in advance and $18.00 day of show. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on for the latest on Red Wanting Blue.

- Red Wanting Blue: (Columbus, Ohio)

Genre: Rock

https://www.redwantingblue.com

https://www.facebook.com/redwantingblue

- Liz Brasher:  (Memphis, TN)

Genre: Alternative, Indie

https://www.lizbrasher.com

https://www.facebook.com/LizBrasherMusic

Red Wanting Blue

Meet amazing Midwestern rock band Red Wanting Blue. They released a new album called The Wanting on April 27th. The 2 main themes that make this band so unique is being “Connectors” and “Lifers.” 

They are connectors by how their music is so relatable and the storytelling they showcase in each song. Every song is unique in a special way for the band. Their fans are die hearts especially in Ohio where most of them are from. They will go far and wide to see the band live everywhere.  


They are “Lifers” since they overall are a DIY band who have been doing this for so long and every decision the lead singer Scott Terry makes somehow goes back to him playing music and being in RWB. He is lifer and that is all he know and you can hear that in the entire album.


Produced by acclaimed singer/songwriter Will Hoge, the new album The Wanting is the next level to finally put this band on the map and in everyone’s ears. The band’s hunger remains after 20 years and the hunger has been their fuel, their motivation, their essence. Hunger has steered every step of the group’s extraordinary journey, and now, it’s at the heart of their most powerful record yet.


I hope you will dive into it. The 3 singles we are focusing on is “Ulysses”, “High and Dry” and “Younger Years”


Regardless, premiered the first track “Ulysses" with Billboard herehttps://www.billboard.com/articles/columns/rock/8098779/red-wanting-blue-new-song-ulysses-album-release-date 

ABOUT RED WANTING BLUE

Red Wanting Blue has released ten full-length albums to date: Velveteen (1996), Image Trigger (1998), Model Citizen (2000), Sirens (2001), Souvenirs of City Life (2002), Pride: The Cold Lover (2004), The Warehouse Sessions (2006), These Magnificent Miles (2008 & re-release, 2010), From The Vanishing Point (2011) and Little America (2014).


Throughout their career, they landed in the Top 10 of Billboard’s Heatseekers chart and at #1 for the band’s home region. They earned raves from Rolling Stone to Esquire and made appearances on The Late Show with David LettermanVH1’s Big Morning Buzz Live, and NPR’s Mountain Stage.


You can learn more about them here: http://www.redwantingblue.com

Sunday, May 13, 2018

When Cowboys Cry: @thehaddonfields EP Release w/ @bruiserqueen #Brasky #GuyMorganFTCrew Fri. 5/18 @BlueberryHillMO @DuckRoom + Pre-Party w/ @thehaddonfields (Acoustic) @vintagevinylSTL



On Friday, May 18th The Haddonfields are releasing a new EP "When Cowboys Cry"  at Blueberry Hill Duck Room. Joining forces with them are Bruiser Queen, Brasky, plus Guy Morgan & The FT Crew. The doors open at $7.00 pm and the show starts at 8:00 pm. General admission is $7.00. It is an all-ages conc ert and minors incur a $2.00 surcharge at the door. Visit HERE for the event details on Facebook.

Also, from 6:00 pm to 7:00 pm there will be a pre-party featuring The Haddonfields playing an acoustic set at Vintage Vinyl. It is all ages and free to attend. There will be free Schlafly beer available for those who are 21 and up. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music.

- The Haddonfields: (St. Louis, MO)

Genre: Pop Punk Rock

https://www.facebook.com/thehaddonfields

http://thehaddonfields1.bandcamp.com

- Bruiser Queen: (St. Louis, MO)

Genre: Rock, Garage, Pop

https://www.bruiserqueen.com

https://www.facebook.com/bruiserqueen

http://bruiserqueen.bandcamp.com/album/heavy-high

- Brasky: (St. Louis, MO)

Genre: Rock

https://www.facebook.com/braskybandstl

http://brasky2.bandcamp.com/album/the-brasky-demo

- Guy Morgan & The FT Crew:

  (Cape Girardeau, MO.)

Genre: Punk Rock

https://www.facebook.com/Guy-Morgan-and-the-FT-Crew-128830037129840/

http://www.guymorganftcrew.bandcamp.com

Friday, May 4, 2018

Double Feature: @PaganSTL Presents @MtJoyBand w/ @Wilderado #DrSlappinstein Tues. 5/8 @BlueberryHillMO @DuckRoom + @Wilderado w/ @FoxtraxBand @whitacreband Wed. 5/9 @UptownTheater



On Tuesday, May 8th Mt. Joy comes to town with support by Wilderado and Dr. Slappinstein. The concert is brought to you by Pagan Productions and will be at the Blueberry Hill Duck Room. The doors open at 7:00 pm and the music goes from 8:00 pm to 11:45 pm. General admission is $13.00 in advance and $15.00 day of show. It is all-ages and minors incur a $2.00 surcharge. Visit HERE for the event details on Facebook. Mt. Joy's debut album is out now. Wilderado releases their "Flavors" EP on May, 25th.



On Wednesday May 9th Wilderado will be in Kansas City, Missouri at the Uptown Theatre with FOXTRAX and Whitacre. The doors open at 7:00 pm and the show starts at 8:00 pm. It is an all-ages concert. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on more more on Mt. Joy and also the latest on Wilderado.

- Mt. Joy: (Philadelphia, PA & L.A., CA)

Genre: Alt, indie

https://www.mtjoyband.com

https://www.facebook.com/mtjoyband

- Wilderado: (Tulsa, OK)

Genre: Alt. Indie

https://www.wilderado.co

https://www.facebook.com/Wilderado

- Dr. Slappenstein: (St. Louis, MO)

Genre: Super Heavy Funk

https://www.facebook.com/Dr.Slappinstein

- FOXTRAXX: (New York, NY)

Genre: Alternative Rock

https://www.foxtraxband.com

https://www.facebook.com/FOXTRAXband

- Whitacre: (Denver, CO)

Genre: Folk Rock

https://www.whitacreband.com

https://www.facebook.com/whitacreband


MT. JOY



These dreams are more than paper things,” sings Matt Quinn on Mt. Joy’s infectious folk-rocker “Astrovan,” a warm, yearning bit of road-trip philosophy that posits the existence of a Deadhead Jesus cruising the dusty highways of the countryside, nursing a roach on his way to only He knows where. It’s an auspicious line from a band predicated on the revival of teenage dreams.

Mt. Joy started off as a rekindling of shared musical ambitions between Philadelphia high school friends Matt Quinn (vocals, guitar) and Sam Cooper (guitar). Reunited in Los Angeles thanks to the ebbs and flows of adult life, the pair met multi-instrumentalist Michael Byrnes through a Craigslist ad. They named themselves Mt. Joy as an ode to a mountain in Valley Forge National Park near Sam’s childhood home, and together, with Byrnes’ roommate Caleb Nelson producing, they recorded three songs and sent them out into the world, hoping for the best. “I knew I still wanted to write songs, but the realities of life made that dream seem pretty impossible,” Quinn says.

Much to the band’s amazement, “Astrovan” accomplished the impossible. Without initial promotion or fanfare, the song took off on Spotify, racking up 5 million streams to date. “The irony of ‘Astrovan’ was that song was really about being stuck in a life and wanting to have the opportunity to pursue a dream, and in an instant it gave us that opportunity. ” Quinn says. Mt. Joy quickly transitioned from a part-time calling into a full-fledged band rounded out by Byrnes on bass, Sotiris Eliopoulos on drums and Jackie Miclau on keyboard.

Come 2017, Mt. Joy hit the road, and hit it hard: They played tour dates alongside the likes of The Shins, The Head and The Heart, The Lone Bellow, and Whitney, and popped up at some of the summer’s biggest festivals, including Bonnaroo, Newport Folk Festival, Lollapalooza and Made In America. “We were put on some big shows very quickly,” Quinn says. “The growth for us has been exponential - we’ve really just become a family that’s constantly pushing each other and the live show to be great.” They eventually caught the attention of Dualtone Records and began work on their debut album.

Steeped in folk-rock tradition and powered by the intuitive creative connection between Quinn and Cooper, the songs on ‘Mt. Joy’ depict Quinn wrestling with his own conscience, where the mundane and the fantastic collide as he processes tragedy, society, and love. Opener “I’m Your Wreck” describes “monsters in (the) closet, using up the wi-fi” as it cycles from its desperate, spiraling verses to its swinging, stubbornly optimistic coda, while the loping, plaintive chords of “Younger Days” meditate on a frayed psyche and the fear of choosing the wrong path. “Sheep,” with its collapsing, hoarse-voiced cry of “freedom was paid in blood,” is a post-Trump salvo on the responsibilities of the fortunate to overcome political and social despondency. And on “Silver Lining,” perhaps the album’s brightest moment, Quinn surveys the damage of hard drugs and the vicious cycle of addiction, as the song’s melancholic sentiment kicks into its fervid, defiant chorus, all shout-along vocals and trilling guitars.

Taken together, the self titled ‘Mt. Joy’ LP is a startlingly open document, wracked with the anxieties and fears that come just as life seems to start working out. It’s a natural reaction from a wary band like Mt. Joy - the result of a sort of professional vertigo, as they’ve gone from virtual unknowns to hot young commodity in little over a year. But there’s a sense of hope underlying everything, girded by the fact that the Mt. Joy LP is an impressive, honest portrayal of a young band facing that moment where dreams become reality, and finding beauty in the exhilarating uncertainty of it all.

___________________


Wilderado releases first single "Sorrow" from forthcoming EP Favors - out May 25

“Sorrow is one of those songs that really feels like it’s a part of our band. It fell out of us one day and we played it for hours. We’ve been playing it on the road for over a year now. Finally releasing it feels amazing.” - Wilderado




Stream, Share, Download “Sorrow” HERE

As Wilderado is currently out on a Spring tour that will culminate at Sasquatch! the band is pleased to announce their forthcoming EP Favors with the release of the first single, "Sorrow". Favors was produced by Phil Ek (Father John Misty, Fleet Foxes, Vance Joy, Band Of Horses) and will be available on May 25. For more information please visit wilderado.co.

About:

Wilderado has a sound that is familiar and dreamy, combining elements of folk, pop, and rock to make a distinctive quality of music all their own. 

Born and bred in Texas and Oklahoma before curing in the canyons off the Pacific Coast Highway, these boys are equal parts southern spirit and southern California levity. And frankly, their natural level of positive energy and charm is as impossible to believe as it is enjoyable to watch. Each of their shows seems to be imbued with the intimacy of a living room set put on for friends but large enough to fill a summer Amphitheatre or festival stage.

Monday, April 23, 2018

Asleep At Heavens Gate: @roguewaveband 10th Anniv. Tour w/ @BusinessOfDrms Fri. 4/27 @RiotRoom + Both Acts Play Sat. 4/28 @BlueberryHillMO @DuckRoom



On Friday, April 27th Middle Of The Map presents Rogue Wave with special guest Business Of Dreams at The Riot Room in Kansas City, Missouri. This show is also brought to you by Mammoth Live and The Record Machine. Rogue Wave is celebrating the 10th Anniversary Of "Asleep At Heavens Gate" with a reissue to coincide. Corey Cunningham known to many as the guitarist for Terry Malts is performing under the monicker Business Of Dreams and recently released his solo LP. The doors open at 7:00 pm and the show begins at 8:00 pm. This concert is 21 and up. Tickets are $18.00. Visit HERE for the event details on Facebook.

Then on Saturday, April 28th  Rogue Wave will be at the Blueberry Hill Duck Room in University City, Missouri along with Business Of Dreams. Originally, this show was scheduled for Delmar Hall. All tickets purchased prior will be accepted at the door when entering the Duck Room. The doors open at 7:00 pm and the show begins at 8:00 pm. Tickets are $17.50 in advance and $20.00 day of show. It is all-ages. Minors incur a $2.00 surcharge. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on for the latest from Rogue Wave.


- Rogue Wave: (Oakland, CA.)

Genre: Indie Rock

https://www.roguewavemusic.com

Google Rogue Wave: https://g.co/kgs/rGrYtP

- Business Of Dreams: (L.A., CA.)

Genre: Pop

https://facebook.com/businessofdreams

Google Business of Dreams: https://g.co/kgs/2rWVUc



ROGUE WAVE ANNOUNCE ASLEEP AT HEAVEN’S GATE 
10TH ANNIVERSARY REISSUE, TOUR

NEW 2xLP FULLY REMASTERED DELUXE LIMITED EDITION TO FEATURE 
10TH ANNIVERSARY PACKAGING, FOUR RARE & UNRELEASED BONUS TRACKS AND A COVER OF “ALL YOU NEED IS LOVE” BY THE BEATLES

ROGUE WAVE TO PERFORM THE ALBUM IN ITS ENTIRETY ON 
SPRING 2018 NORTH AMERICAN TOUR

ASLEEP AT HEAVEN’S GATE 10TH ANNIVERSARY EDITION AVAILABLE IN STORES AND AVAILABLE NOW
ONLINE FROM SLOW DOWN SOUNDS

“A make-or-break manifesto that often trumps indie rock's big-leaguers.” –SPIN

“Its third and most ambitious release. 'Asleep At Heaven’s Gate’ is notable for its beefed-up instrumentation and an overall darker tone than its predecessors.” - Billboard

“The Oakland quartet has a greater sense of urgency, sharper edges, and a more mature sound overall.” - The Austin Chronicle

STREAM: “THE SHOW”
(FROM ASLEEP AT HEAVEN’S GATE 10TH ANNIVERSARY EDITION)

Oakland, CA-based rock band Rogue Wave, in partnership with Slow Down Sounds, are proud to announce the band’s 10th anniversary reissue of Asleep At Heaven’s Gate. The 2x LP
package includes the album fully remastered, new artwork to commemorate the release, four rare & unreleased tracks from the recording sessions, and a cover of “All You Need Is Love” by The Beatles. The package also features a newly designed double gatefold jacket including a new cover. Rogue Wave were directly involved in every aspect of this expanded edition reissue. Mastered by Kevin Gray from the original 96/24 final mixes with plating and pressing at R.T.I. for the best possible sound. There will be two versions of the package: a standard black vinyl and a super limited Gold/White Swirl pressing of only 200.

Asleep At Heaven’s Gate LP is now available through Slow Down Sounds via their official website HERE and “The Show,” a previously unreleased track from the new collection, can now be streamed via SoundCloud HERE.




Additionally, Rogue Wave is touring this spring across North America in support of the reissue, performing the album in its entirety nightly. It began on March 21 at Turf Club in Minneapolis, MN, the tour visits markets such as Chicago, IL on March 22, Toronto, ON on March 25, New York, NY on March 28, Atlanta, GA on April 5, Nashville, TN on April 6, Austin, TX on May 2, Los Angeles, CA on May 5, San Francisco, CA on May 10 & 11, Seattle, WA on May 19, and conclude with a performance at Top Hat in Missoula, MT on May 20. A full listing of dates can be found below and more information on the tour can be found via Rogue Wave’s official website HERE

Produced by Roger Moutenot (Yo La Tengo, Sleater Kinney, Elvis Costello) with Zach Rogue and originally released by Jack Johnson’s Brushfire Records, Asleep At Heaven’s Gate stands as Rogue Wave's definitive statement and a benchmark for a band at its creative height and most accomplished. Originally conceived as a double-album by Rogue, the album is a proudly defiant body of work shot through with heartfelt self-examination and a wider commentary on the flawed world around us. “Up to that point, it was the most magical and productive time we had ever had as a band,” Rogue reminisces about the era in which the album was born. “Found sounds, field recordings, 4-track tape machines, all of these things were used in making the record. We wanted to experiment and push ourselves to make more adventurous music.” 

Part of the richness of Asleep At Heaven’s Gate is due to the band’s sense of experimentalism. “We were listening to a lot of Wendy Carlos, who scored Tron, A Clockwork Orange and The Shining,” Rogue continues. “She is responsible for a lot the ambient noise and the interesting sounds you hear. It’s that noise versus melody abstract sound debate. It’s the idea that banging on a wall or hitting a door with your hand can be a musical instrument.” 

Asleep At Heaven’s Gate is not just the work of its four members strumming chords and hitting doors though, guest appearances and collaborations abound. Matthew Caws from Nada Surf sings on a couple of songs, indie innovator John Vanderslice contributes, and Snowblink’s Daniela Gesundheit sings on a number of tracks. For the sun-kissed epic “Own Your Own Home,” the band invited thirty friends into the studio with acoustic instruments of every ilk. In fact, Rogue estimates that they ended up using about 150 different instruments during the various recording sessions.

After the album was released, the band regretted having to omit some songs from the final product. To them, they are not throwaway tracks. They are as strong as anything the band recorded during that time period, and the idea of finally sharing them has Rogue & Co. extremely excited. “Some may have heard ‘Electro-Socket Blues’ from the Nick and Nora’s Infinite Playlist soundtrack, but it was never officially released by us otherwise,” Rogue says. “’I Can Die’ was on the B-side of the ‘Lake Michigan’ single 45 in Europe, for those who were able to grab one of the small handful that were printed. I never got one. ‘The Show’ was never released at all but it features some of the best lyrics of any of the songs from that period.”

Rogue continues: “We had been asked to record ‘All You Need is Love’ for a TV commercial. The version we originally did was a note-for-note copy of the way The Beatles did it. It was pretty uninspired and was, of course, rejected. Feeding off the rejection, we decided to try the song our own way. Or maybe we recorded it the way we thought the Beatles would have played it if they had still been a live touring band when they made the song. Who knows. Either way, the song felt like it had become our own, and we took those all-too-common feelings of rejection and let them mutate into something infused with gratitude and curiosity.”

10 years on, Asleep At Heaven’s Gate remains an album about hopes and fears, triumphs and tragedies, sadness and joy. Filled with darkness and light swirled together, the album is a stirring sonic reminder of the dualities that make life such an unforgettable and incomparable ride. 

Tuesday, April 10, 2018

Expectations: @wildchildsounds w/ @stelthulvang Tues. 4/17 @BlueberryHillMO @DuckRoom + Wed. 4/18 @RoseMusicHall



On Tuesday, April 17th Wild Child will be coming to the Blueberry Hill Duck Room along with Stelth Ulvang. This show is presented by Pagan Productions. The doors open at 7:00 pm and the show starts at 8:00 pm. General admission is $15.00 and minors incur a $2.00 surcharge. Visit HERE for the event details on Facebook.

Also, on Wednesday, April 18th 102.3 BXR presents Wild Child with Stelth Ulvang at Rose Music Hall in Columbia, Missouri. The doors open at 7:00 pm and the show is scheduled to start at 8:00 pm. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on for the latest on Wild Child.


- Wild Child: (Austin, TX)

Genre: Indie

https://www.wildchildsounds.com

https://www.facebook.com/wildchildsounds

- Stelth Ulvang: (Fort Collins, CO)

Genre: Songwriter, Instrumentalist

https://www.stelthulvang.com

https://www.facebook.com/StelthUlvang


WILD CHILD RELEASE NEW SINGLES

“SINKING SHIP” AND “BACK & FORTH”

FROM THE NEW ALBUM EXPECTATIONS

OUT FEBRUARY 9, 2018 ON DUALTONE RECORDS

TOURING ACROSS THE US AND CANADA THIS SPRING


Photo Credit: Sean Daigle

Austin’s Wild Child are excited to share two new singles from their their new record, Expectations, out February 9th on Dualtone Records. “Sinking Ship” and “Back & Forth” were produced by Max Frost and Delta Spirit’s Matthew Logan Vasquez respectively, and make their debut via Consequence of Sound’s Origins feature. Kelsey Wilson describes solace found in a Shel Silverstein book and the use of a recorded heartbeat for “Sinking Ship”, and Alexander Beggins explores the pair’s creative process behind “Back & Forth”, for which they drew inspiration from songs by Nina Simone and Aretha Franklin (read more). This February, Wild Child played a string of record release shows across Texas before embarking upon a massive North American tour throughout March, April, and early May. 

Stream “Sinking Ship” and “Back & Forth” via Spotify or SoundCloud

In addition to recording with Vasquez and Frost, the Austin, Texas-based band traveled far and wide in order to work with multiple producers (and accomplished musicians in their own right) on Expectations including; Chris Walla (formerly Death Cab For Cutie), Chris Boosahda (Shakey Graves), Scott McMicken (Dr. Dog), and Adrian Quesada (Grupo Fantasma).

Watch the music video for “The One” via YouTube

Stream “Think It Over”  and “Expectations” via Spotify or SoundCloud

Pre-Order Expectations via Dualtone Records

For seven years now the Austin-based ensemble Wild Child has carried its infectious melodies across the international music scene, charting viral hits and wrapping their arms around a diverse and dedicated fan base. But earlier this year when the band set out to make their fourth studio album, they found they had their hands full: After half a decade of maturation, the group had grown beyond its traditional writing and recording process.

“We had too many ideas for how we wanted to make this record” says Kelsey Wilson, the group’s lead vocalist and violinist. She shrugs. “So we said, ‘Why not just do all of them?’”

The group realized this offered an exciting opportunity to make a kind of record bands rarely get right: To take a new, multispectral approach to writing and recording that went beyond simply trying to engineer success. The band made a list of their favorite musicians who were also great producers in their own right — choosing ones they thought would shine a new and unique light on specific compositions — and then Wild Child set about chasing their album from studio to studio all over the world, never saying no to an idea.

The result — the band’s fourth album, Expectations — is Wild Child’s most creative, colorful and intellectually engaging album to date.

Now a seven-piece pop mini-orchestra (Wilson on violin and vocals; Alexander Beggins on ukulele and vocals; Sadie Wolfe on cello; Matt Bradshaw on keyboards, trumpet, and harmonica; Tom Myers on drums; Cody Ackors on guitar and trombone; and Tyler Osmond on bass), Wild Child formed in 2010 when the group’s core duo of Wilson and Beggins wrote and released their first album, Pillow Talk.

Wild Child shaped their last record, Fools, in the shadows of more than one failed love, and Expectations, as the title suggests, is a continuation of that personal experience into an awakening. Wilson and Beggins, whose voices fit each other as naturally as any family act, pushed their boundaries as writers, drawing freely from the stories they’ve lived as well as the artists around the world that have inspired their growth. Their rate of output over that last year got them thinking differently about producing, focusing on one track at a time. “We’ve always focused on the record as a whole. We wanted to think about each track as it’s own piece- but somehow it all fits together,” Wilson says of the approach.

That route took them around the world — from Chris Walla’s studio in Tromsø, Norway, where the Northern Lights are the brightest in the world, to a home-built warehouse studio on the outskirts of Philadelphia, where Scott McMicken picked up the bass and “joined the band for a week,” arranging harmonies and sharing living and recording space. Back in Wimberley, Texas, Matthew Logan Vasquez set up a makeshift studio in Kelsey Wilson’s beloved childhood home — abandoned since the floods of 2015 — where they found the muses were eager to resurface. The group also tapped the talents of frequent tour mate Chris Boosahda, Atlantic Records recording artist Max Frost, and Grammy-winning producer Adrian Quesada.

The result is a theater of possibilities, with arrangements that reflect the range of tastes of the producers, from scruffy lo-fi tape hiss, to smoothed out precision-cut electronic pop sounds.  And the more you listen to Expectations, the more the many worlds of this project begin to cohere around you. After all, one of the great joys of traveling the world is discovering surprising connections: A skyscraper in Barcelona reminds you of a spire in the Utah desert; the Northern Lights in the Norwegian sky look like an oil slick on the Philadelphia pavement. Expectations, an album which can by turns be bitter, wistful, angry, and flirtatious, is rich with these surprising rhymes across the record.

wildchildsounds.com

facebook.com/wildchildsounds

dualtone.com

Wednesday, April 4, 2018

Chasing The Muse: @lizaannemusic w/ @rollcallrecords Newest Family Member @ValleyQueenBand On Sat. 4/7 @recordBar + Sun. 4/8 @BlueberryHillMO @Duckroom + Then @ValleyQueenBand w/ @murdnim Tues. 4/10 @evanstonspace



Indie Rock singer-songwriter Liza Anne will be headling two of the three concerts in the area listed below including Roll Call Records newest family member Valley Queen. The first is on Saturday, April 7th at The Record Bar in Kansas City, Missouri. The event goes from 7:00 pm to 12:00 am. Visit HERE for the event details on Facebook. The second is in St. Louis, Missouri on Sunday, April 8th at the Blueberry Hill Duck Room. The doors open at 7:00 pm and the show goes from 8:00 pm to 11:45 pm. This is an all-ages concert. Minors incur a $2.00 surcharge. This show is presented by Pagan Productions. Visit HERE for the event details on Facebook.

The third show takes place on Tuesday, April 10th at The Space in Evanston, Illinois. Valley Queen will be there and Jessica Mindrum is sharing the stage with them on bill. The show begins at 8:00 pm. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on for the latest on Valley Queen.


- Liza Anne: (Nashville, TN)

Genre: Singer/Songwriter, Indie Rock

https://www.lizaannemusic.com

https://www.finebutdying.com

https://www.facebook.com/lizaannemusic

https://lizaanne.bandcamp.com

Google Liza Anne: https://g.co/kgs/d8Ci8V

- Valley Queen: (Los Angeles, CA)

Genre: Alternative, Rock, Indie, Soul

https://www.valleyqueenmusic.com

https://www.facebook.com/valleyqueenmusic

Google Valley Queen: https://g.co/kgs/64x3yG

- Jessica Mindrum: (Chicago, IL)

Genre: Singer/Songwriter

https://www.facebook.com/jessicamindrum

https://soundcloud.com/jessicamindrum

https://www.instagram.com/murdnim


Roll Call Records are excited to introduce the newest addition to their family Valley Queen. The LA-based band, fronted by Natalie Carol, released their 2017 Destroyer EP to widespread critical acclaim, with the track "Stars Align" even named one of Bob Boilen's Top 50 songs of the year on NPR's All Songs Considered.

As they gear up to share their debut album on Roll Call later this year, Valley Queen have offered fans a preview with a new track titled "Chasing the Muse" – out everywhere now.

The song premiered just the other day  via Stereogum, who compared it to a fantasy of "Florence Welch fronting a retro rock band with traces of Jefferson Airplane, Fleetwood Mac, and the Pretenders."

VALLEY QUEEN – CHASING THE MUSE

Soundcloud: soundcloud.com/rollcallrecords/valley-queen-chasing-the-muse

Spotify: spoti.fi/2GslRKE

The band is currently on the road with Liza Anne, with some headlining shows of their own coming up as they make their way back west.

Roll Call Records has more to come on Valley Queen very soon. In the meantime, you can check out the band's killer Tiny Desk performance here.

Saturday, March 17, 2018

Abolition: @PirateSignal EP Release w/ @Houndsofficial #TheMercsSTL + #Kodek of @TheHushList Fri. 3/30 @BlueberryHillMO In The @DuckRoom



The highly anticipated new EP "Abolition" by St. Louis rock act Pirate Signal is almost here. The release show will be happening at Blueberry Hill's Duck Room on Friday, March 30th. The supporting acts on this bill are Hounds, The Mercs, plus Kodek (Chris Curd of The Hush List). The doors open at 7:00 pm and the concert begins at 7:30 pm and lasts until 11:30 pm. General admission is $8.00. This is an all-ages event. Minors incur a $2.00 surcharge. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. The new EP is now available for free with donate option via their website and is also on the digital platforms.

- Pirate Signal: (St. Louis, MO.)

Genre: Rock

https://www.piratesignalmusic.com

https://www.facebook.com/Piratesignal

- Hounds: (St. Louis, MO.)

Genre: Indie Rock

https://www.houndssounds.com

https://www.facebook.com/HoundsSounds

- The Mercs: (St. Louis, MO.)

Genre: Exploratory Rock

https://www.facebook.com/TheMercsSTL

* Watch a live video of them HERE

- Kodec: (St. Louis, MO.)

Genre: Singer/songwriter, Rock

* (Chris Curd of The Hush List).

https://www.thehushlistband.com

https://www.facebook.com/thehushlist

Thursday, March 1, 2018

@MammothLive presents @itsdorothysucka w/ @VigilandThieves Mon. 3/5 @recordBar + @PaganSTL presents @itsdorothysucka w/ @moderngoldmusic Tues. 3/6 @BlueberryHillMO @DuckRoom (Sold Out!)



A little while back Dorothy spread a grassroots initiative to summon worthy upcomers from all over North America in support of her tour and new album. The results are in and the two concerts in our area are quickly approaching. If you missed the original posr you can find it HERE. The first show takes place on Monday, March 5th in Kansas City, Missouri at The Record Bar and is presented by Mammoth Live. Sharing the stage with her and the band will be Vigil And Thieves from Lawrence, Kansas. This is an 18 and up event. The doors open at 7:00 pm and the show starts at 8:00 pm. Visit HERE for the event details on Facebook.

The second one is in St. Louis, Missouri at the Blueberry Hill Duck Room and is presented by Pagan Productions. Modern Gold will be joining Dorothy and this is a hometown show for them. This is an all-ages event. The doors open at 7:00 pm and the show starts at 8:00 pm. It will be finished by 11:45 pm. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Read more about Dorothy further down the page. *Addendum on 3/2/18. The St. Louis show is now sold out.*


- Dorothy: (Los Angeles, CA.)

Genre: Alternative Rock

https://www.dorothytheband.com

https://www.facebook.com/itsdorothysucka

Google Dorothy: https://g.co/kgs/qkPd8c

- Vigil & Thieves: (KC & Lawrence, Kansas)

Genre: Indie, Alternative Rock

https://www.vigilandthieves.com

https://www.facebook.com/vigilandthieves

- Modern Gold: (St. Louis, MO.)

Genre: Blues, Soul, Rock

https://www.moderngoldmusic.com

https://www.facebook.com/moderngoldmusic


ABOUT DOROTHY

Dorothy was built around Dorothy Martin, a singer who was born in Budapest but raised in San Diego. As a child, she started singing early and eventually made her way to Los Angeles. Her latest EP earned attention from L.A. Weekly and Rolling Stone - the latter named Dorothy one of the best 50 Best New Artists of 2014. All the chatter was enough to earn the attention of Jay-Z's Roc nation who signed Dorothy in 2015. She got together a new, high level, and powerful band including guitarist Nick Maybury, guitarist Leroy Wulfmeier, bassist Eliot Lorango, and drummer Jason Ganberg. Dorothy is managed by We Are Hear and represented by Roc Nation.

DOROTHY RELEASES NEW SINGLE "FLAWLESS"

PRE-ORDER 28 DAYS IN THE VALLEY TODAY

AVAILABLE WORLDWIDE MARCH 9TH

NOW ON THE FREEDOM TOUR

Los Angeles-based alternative rock band Dorothy have released the new track "Flawless", the first single from their forthcoming sophomore album 28 Days in the Valley, out March 9th. It's a vulnerable message that begins with heartbreak and ends as a vindicated feel good anthem of self-love.

"It's about an ex who really did a number on me," reveals namesake and frontwoman Dorothy Martin. "This one came fast to me. It was very subconscious... like I'm channeling them. Linda Perry pulled the lightness out of me, both personally and musically. This record is definitely still bold, but it's happier. It's kind of like the butterfly coming out of the cocoon."

"Flawless is the best song ever and if you don't think so, you can fuck off," says Perry.

The new album has the in-your-face bluesy, gritty rock and roll fans loved on 2016's ROCKISDEAD, and their recent standalone single, "Down To the Bottom", which debuted at #1 on Billboard's Heatseeker's chart and Rolling Stone called the "perfect mix of blues thunder and alt-rock guitar crunch." But, added to that thunder this time around are more layers of emotion fueled by less metal, more California desert rock vibes.

"This was a spiritual journey and very healing, and because of that it's an unapologetically honest record," says Martin of the new album. "Somehow Linda [Perry] knew I had more to give as a singer and writer. I used to hide behind the tough girl sound, but she taught me that there is power in my vulnerability and that's what you get on this record."

28 DAYS IN THE VALLEY

TRACK LISTING:

Flawless

Who Do You Love

Pretty When You're High

Mountain

Freedom

White Butterfly

28 Days In The Valley (Interlude)

On My Knees

Black Tar & Nicotine

Philadelphia

Ain't Our Time To Die

We Are Staars

We Need Love

Wednesday, January 17, 2018

@BossFX_US Partners w/ @itsdorothysucka For N.A. Tour. Join The Grassroots Movement By Submitting To The 3/5 Show @recordBar In #KC Or The 3/6 Show @BlueberryHillMO @DuckRoom in #STL



BOSS PARTNERS WITH DOROTHY FOR NORTH AMERICAN TOUR

JOINS GRASSROOTS INITIATIVE TO SELECT LOCAL ARTISTS AS OPENING ACTS FOR EACH SHOW

Yeah, that's right. You could share the stage with Dorothy. So, this means on March 5th at The Record Bar in Kansas City, Missouri and March 6th at Blueberry Hill in University City, Missouri your band or a musician you know can be a supporting act for Los Angeles, California based Dorothy.

BAND SUBMISSION FORM AVAILABLE HERE:  smarturl.it/DorothyFreedomOpener

BOSS has partnered with Los Angeles-based alternative rock band Dorothy for the 2018 Freedom Tour. BOSS is a brand that realizes the dreams of guitarists and is dedicated to supporting all musicians. In that spirit, they've teamed with Dorothy to support the band's grassroots initiative to select local artists as opening acts. Dorothy and BOSS are looking for hometown favorites from each city on the band's tour to be the opening act. All genres are welcome, and selections have already begun to be announced. This will be an opportunity to bring the focus of touring back to developing the local music scene. 

Brian Alli, Roland Corporation Vice President of Artist Relations and Business Development, states, "We are excited to partner with Dorothy on this fun, grassroots talent search. We are already impressed with the submissions coming in, and we look forward to seeing these awesome acts live on stage around the country." "We are amped to collaborate with BOSS on this important initiative! This is about taking the time to connect with communities and get a real taste of the local music scenes. We want to be inspired and we know BOSS shares that passion," remarks Dorothy. Dorothy recently announced tour dates for the 2018 Freedom Tour including taking the high voltage show to major cities across the United States including Chicago, New York, Boston, Nashville, Los Angeles, Austin, and more. Dorothy will perform new music from their forthcoming album along with fan-favorites from their ROCK IS DEAD debut album. The set list will also include "Naked Eye" from the Served Like A Girl soundtrack, plus the #2 rock song on Amazon, "Down To The Bottom.Rolling Stone recently featured "Down To The Bottom" in their column 'The Playlist' as the "perfect mix of blues thunder and alt-rock guitar crunch." Watch the live video of "Down To The Bottomhere. In addition, Dorothy are offering limited VIP tickets that will include a 2-song soundcheck, a photo with Dorothy plus meet & greet, early/preferred entrance, a limited edition hat, and a VIP exclusive laminate. VIP & GA tickets for the Freedom Tour are available at: dorothytheband.com/tour.

            BAND SUBMISSION FORM:

http://smarturl.it/DorothyFreedomOpener

           Missouri region tour dates:

Mar 05  - The Record Bar - Kansas City, MO (TICKETS)

Mar 06  - Blueberry Hill - University City, MO (TICKETS)

                    ABOUT DOROTHY

Dorothy was built around Dorothy Martin, a singer who was born in Budapest but raised in San Diego. As a child, she started singing early and eventually made her way to Los Angeles. Her latest EP earned attention from L.A. Weekly and Rolling Stone - the latter named Dorothy one of the best 50 Best New Artists of 2014. All the chatter was enough to earn the attention of Jay-Z's Roc nation who signed Dorothy in 2015. She recently put together a new, high level, and powerful band including guitarist Nick Maybury, guitarist Leroy Wulfmeier, bassist Eliot Lorango, and drummer Jason Ganberg. Dorothy is managed by We Are Hear and represented by Roc Nation.

                         ABOUT BOSS

BOSS, a division of Roland Corporation, has achieved legendary status among guitarists by offering a diverse, world-leading product lineup that includes amps, compact effects processors, multi-effects processors, digital recorders, rhythm machines, metronomes, tuners, vocal products, and more. For more information, visit Boss.info.

                ABOUT WE ARE HEAR

We Are Hear is a combination record label, publishing house, and management company founded by multi-platinum Linda Perry and Kerry Brown. The Los Angeles-based entity focuses on publishing, sync, licensing, management, recording and consultation. The company's mission is to give artists freedom usually restricted by major labels. They accomplish this, in part, by providing artists with a unique production facility home and a set of tools to help build their future, visit:

http://www.wearehere.com


DOROTHY RELEASES NEW SINGLE "FLAWLESS"

PRE-ORDER 28 DAYS IN THE VALLEY TODAY
AVAILABLE WORLDWIDE MARCH 9TH

NOW ON THE FREEDOM TOUR

Los Angeles-based alternative rock band Dorothy have released the new track "Flawless", the first single from their forthcoming sophomore album 28 Days in the Valley, out March 9th. It's a vulnerable message that begins with heartbreak and ends as a vindicated feel good anthem of self-love.

"It's about an ex who really did a number on me," reveals namesake and frontwoman Dorothy Martin. "This one came fast to me. It was very subconscious... like I'm channeling them. Linda Perry pulled the lightness out of me, both personally and musically. This record is definitely still bold, but it's happier. It's kind of like the butterfly coming out of the cocoon."

"Flawless is the best song ever and if you don't think so, you can fuck off," says Perry.

The new album has the in-your-face bluesy, gritty rock and roll fans loved on 2016's ROCKISDEAD, and their recent standalone single, "Down To the Bottom", which debuted at #1 on Billboard's Heatseeker's chart and Rolling Stone called the "perfect mix of blues thunder and alt-rock guitar crunch." But, added to that thunder this time around are more layers of emotion fueled by less metal, more California desert rock vibes.

"This was a spiritual journey and very healing, and because of that it's an unapologetically honest record," says Martin of the new album. "Somehow Linda [Perry] knew I had more to give as a singer and writer. I used to hide behind the tough girl sound, but she taught me that there is power in my vulnerability and that's what you get on this record."

28 DAYS IN THE VALLEY
TRACK LISTING:
  1. Flawless
  2. Who Do You Love
  3. Pretty When You're High
  4. Mountain
  5. Freedom
  6. White Butterfly
  7. 28 Days In The Valley (Interlude)
  8. On My Knees
  9. Black Tar & Nicotine
  10. Philadelphia
  11. Ain't Our Time To Die
  12. We Are Staars
  13. We Need Love

Monday, November 20, 2017

Split Release Show: @TheStarsGoOut @bendieselstl w/ @moderngoldmusic #ChurchKeySTL Sat. 11/25 @BlueberryHillMO @DuckRoom

This weekend brings another new album release show on Saturday, November 25th. This is a split-release show with The Stars Go Out and Ben Diesel at the Blueberry Hill's Duck Room. Also appearing will be Modern Gold and Church Key. The doors open at 8:00 pm and the show starts at 9:00 pm. This is a 21 and up event. Tickets are $10.00 in advance and the same price the day of show. Visit HERE for event details on Facebook. Continue on for the artists on this show and where to find them online. If you missed the recent Rock Paper Podcast episode with Ben Diesel you can also find that HERE.

- The Stars Go Out: (St. Charles, Alt. Rock)

https://www.facebook.com/thestarsgooutband/

- Ben Diesel: (STL, Pop-Punk)

http://bendieselstl.com/

https://www.facebook.com/BenDieselSTL/

- Modern Gold: (STL, Blues, Soul, Rock)

http://moderngoldmusic.com/

https://www.facebook.com/moderngoldmusic/

- Church Key: (St. Ann, Punk)

https://www.facebook.com/churchkeystl/

https://churchkeyayboo.bandcamp.com/



Tuesday, November 14, 2017

Brand New Abyss: @thebl0w (Brooklyn, NY) Tues. 11/21 @BlueberryHillMO @DuckRoom

Brooklyn, New York's The Blow will be in town on Tuesday, November 21st at the Blueberry Hill's Duck Room with it's supercharged brand of electro-pop. The doors open at 7:00 pm, the show goes from 8:00 pm to 11:30 pm. This is an aa-ages show, minors will incur a $2.00 surcharge. For more details visit the event details on Facebook HERE. This show is presented by Pagan Productions.
Their new album  "Brand New Abyss" is now available.

Buy it: http://smarturl.it/BrandNewAbyss
Stream it: http://bit.ly/BrandNewAbyss
Get it physical: https://www.pledgemusic.com/projects/theblow

The Blow shares new track/video via BUST, shares full details of upcoming tour w/ EMA

STREAM: "The Woman You Want Her To Be" -
YouTube / BUST

The Blow recently announced its new album, Brand New Abyss, with a Pledge Music campaign and today shares the third track from it, "The Woman You Want Her To Be," via BUST. ICYMI, check out the previous two singles, a re-working of "Greatest Love of All" via NYLON and "Get Up" via NPR's All Songs Considered. The album's out Sept. 22 and the band will also tour this Fall on a co-headlining run with kindred spirit EMA (see full dates & openers below) which they have dubbed the POWER CONVERGENCE TOUR. The Pledge Music campaign has some pretty unique premiums, such as a Blow beach towel set, a Gold Lamé Crystal Stereo Pair and a "vibe chain" worn by Melissa during the making of the album (see a full list of premiums, including turquoise vinyl, here).

About the Album:
The Blow’s new album, Brand New Abyss, is a lightning rod. A wild assembly of frequencies produced out of a thrust of electroacoustic punk energy, the album is a search for a new sound of rebellion in an environment where the aesthetic of punk has been commodified into submission along with most everything else. Brand New Abyss was written and produced by The Blow (Melissa Dyne and Khaela Maricich) using a production rig that the duo painstakingly developed over the past four years; a mothership of patched-together modular synthesizers, ancient samplers and audio production gear.

Like wizards in a craggy laboratory, they worked in seclusion, teaching themselves to control the raw material of sound using basic elements of electronic synthesis. Their aim was to be able to channel frequency into new shapes that would be useful to them, like tools to break through the algorithmic limits they were growing bored of. Says Dyne, “After having worked heavily with a samples in the past we got to a place where we wanted to treat electronic sound more acoustically, like something more alive. We wanted to make waves that we could ride and play around in- newer waves.”

Brand New Abyss was produced in response to, and in spite of, a series of atmospheric upheavals. Early in the composing process two large scale construction sites sprang up outside the windows of the band’s downtown Brooklyn apartment, like dueling high-volume hell-mouths, to which the duo responded at times by joining the noise battle and blasting out their own new beats, and other times by packing up their rig and reinstalling it elsewhere. They often found themselves working in odd locations, like off season vacation towns and 80’s timeshare condominium colonies, and the songs on the album reflect these environmental contrasts, spanning from intense rap bangers to open-hearted crystalline confessionals.

Working from remote locations, wherever space to work was available, was disorienting; isolated from community and not seeing themselves reflected in their surroundings, the band had to ritually reestablish a sense of who they were and what was the point. In each new place they rearranged the furniture and then rearranged the air, making spheres of sound to surround themselves like halos of protection, providing them themselves a feeling of home and a radiating purpose wherever they went.

When the greater atmosphere dramatically shifted last year The Blow was strangely prepared, already living inside a portable vibe sphere, having practiced for years the art of alchemically transforming gnarly feelings into something nicer. The new single “Get Up,” was similarly prescient. Begun in Brooklyn as a parking lot was being demolished out the band’s windows, the song took on an extra charge in recent months.

Maricich says of the song, “‘Get Up’ started with a crazy sound that Melissa made on the modular synth, and the chorus just popped out of my mouth like something I’d been needing to be able to say for a long time without knowing it. It was like how you write a love song so easily when your heart is being crushed- with this it’s the feeling of my whole spirit being crushed by extreme capitalism, like everything I used to love got demolished and replaced by a glossy new bank. Then in recent months it was like, yeah, having an intense rap about how it’s all just too much right now feels pretty right.”

The songs on Brand New Abyss were for the most part tracked in The Blow’s downtown Brooklyn apartment, next to the construction sites, in the early months of 2017. All songs were written, performed and produced by The Blow, and engineered and mixed by Melissa Dyne. To cheer themselves along in the process of producing the album, the duo created the project WOMANPRODUCER, a multi-platform archive highlighting the history and present of female and gender nonconforming sonic innovators (hosted at womanproducer.com and @womanproducer everywhere else). Last fall they held a series of performances and talks in New York City bringing together producers from across a broad range of genres and eras, with the participants Zola Jesus, Neko Case, Pauline Oliveros, Suzi Analogue and Deradoorian, among many others. The Blow composed Brand New Abyss as a companion to their 2013 release The Blow, which was featured on both of the New York Times’ Best Songs of 2013 lists, as well as selected as a top album of the year by Bob Boilen of NPR’s All Songs Considered. They will be co-headling an extensive US tour this fall with fellow new style punk EMA. ​
 
The Blow
Brand New Abyss
(Self Released)
Street Date: Sept. 22, 2017
Pre-order Here

Track List:

1. Peaceful Easy Feeling
2. Dark Cold Magic
3. So There
4. Greatest Love of All
5. The Woman You Want Her To Be
6. Get Up
7. Think About Me
8. Summer

THE BLOW LINKS:
Twitter
Facebook
Instagram
Official Site

Thursday, November 9, 2017

London's @RobynHitchcock And Chicago's @tristentristen Perform Tues. 11/14 @BlueberryHillMO @DuckRoom - A @PaganSTL Production

London's relentless live performer Robyn Hitchcock comes to town Tuesday, November 14th at Blueberry Hill's Duck Room. Chicago's own Tristen will be playing, as well. The doors open at 7:30 pm and the show starts at 8:00 pm. It will be over by 11:30 pm and it's an all-ages event presented by Pagan Productions. Visit HERE for event details on Facebook.
Robyn Hitchcock is scheduled to play at 9PM and Tristen at 8PM.Set times are approximate and subject to change without notice. Visit the artists below and also continue on for more more on the latest by Robyn Hitchcock

- Stream Tristen Gaspadarek:

https://g.co/kgs/uiobJV 

http://www.tristen.com/tour

https://www.facebook.com/tristenmusic/

- Stream Robyn Hitchcock:

https://g.co/kgs/gsi98T 

robynhitchcock.com

facebook.com/robynhitchcockofficial

(New York, NY) Yep Roc recording artist Robyn Hitchcock continues his seemingly endless live schedule with the announcement of a wide-ranging array of upcoming dates.  

ROBYN HITCHCOCK, the legendary British artist's acclaimed 21st studio recording and first-ever eponymous release, is available now at all music retailers and streaming services.

North American solo dates were resumed in September, including a two-night stand at Toronto, ON's The Drake (September 21st and 22nd) and two sets at New York's City Winery, one was an all-request set. Additional U.S. dates will have continued in November, with shows already scheduled through February 2018.

Hitchcock recently toured the States with the Psychedelic Furs, and performed at Happy Valley and Pickathon as well as the 2017 Edinburgh International Festival, where he paid homage to "The Music of The Incredible String Band" in an extraordinary tribute concert curated by Joe Boyd and featuring ISB founding member Mike Heron and bassist Danny Thompson.

For updates and ticket availability, please check out robynhitchcock.com/tour.

Hailed by Uncut as "the psych maverick's loudest, liveliest album in decades," ROBYN HITCHCOCK is also available via at the official Yep Roc Store. The album has drawn some of the most ecstatic press notices of Hitchcock's four-decade career. "Witty, moving and seriously catchy," raved Paste, "ROBYN HITCHCOCK is a glorious return for a man who wasn't really gone in the first place." "Astonishing evidence of a creative force that refuses to tamp down," declared A.V. Club. "Four decades as a musician have only deepened, not lessened, Hitchcock's legendary imagination and witty asides as we all trudge through reality." "The bendy mirror through which (Hitchcock) refracts experience offers a sharper view year upon year," noted Record Collector. "If his impishly sardonic persona implies disengagement from reality, even a cursory glance at his lyrics betrays the preoccupations of an individual familiar with the abyss." "As random as a Frenchman's hat," wrote David Quantick in Classic Rock. "Songs like 'Mad Shelley's Letterbox' and the superb '1970 In Aspic' couldn't be written by anyone else. A worthwhile ball to put in his canon." "These 10 gems slither, rock, roll, glide and shapeshift, coalescing around Hitchcock's typically anxious, strained but striking and immediately identifiable vocals," raved American Songwriter. "Hitchcock not only hasn't lost his edge, but has sharpened his knives on this superb set. Newcomers can start here to get a whiff of one of music's most pungent, eccentric and lovable journeymen doing what he does best, knowing they have plenty more to explore from where this came from." PopMatters agreed: "If you're a Robyn Hitchcock fan, this album is an affirmation of his continued skill and talent. If you're a newbie, buy this album and then buy all the others. It's a wonderfully twisted ride."

The album was heralded earlier this year with the acclaimed first single, "I Want To Tell You About What I Want." The track premiered exclusively via NPR Music where it was hailed as "pungently playful... (Hitchcock) sounds renewed, refreshed and irascibly rambunctious." "Hitchcock isn't one to shy away from a political statement," noted Nashville Scene. "In that spirit...('I Want To Tell You About What I Want') shares a little bit of DNA with (The Soft Boys') 'I Wanna Destroy You.'" "Hitchcock's sense of humor shines through the darkness," declared Stereogum.

robynhitchcock.com

facebook.com/robynhitchcockofficial

instagram.com/robynhitchcockofficial

twitter.com/RobynHitchcock

yeproc.com/artists/robyn-hitchcock