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Showing posts with label 102.3 BXR. Show all posts
Showing posts with label 102.3 BXR. Show all posts

Sunday, April 29, 2018

Servant Of Love: @KBIA @BXR + @columbiatribune Present @PattyGMusic w/ @AHImusic Sat. 5/5 @the_blue_note + The Two Acts Also Perform Sun. 5/6 @sheldonstl



On Saturday, May 5th Patty Griffin and special guest AHI (pronounced "eye") make their way to The Blue Note in Columbia, Missouri. The show goes from 8:30 pm to 12:30 pm. Tickets are $30.00.

Visit HERE for the event details on Facebook. This event is brought to you by KBIA 91.3 FM, BXR 102.3 FM and the Columbia Tribune.

Also, on Sunday, May 6th at The Sheldon in St. Louis, Missouri both acts are scheduled to perform. Patty Griffin is touring in support of her new album "Servant Of Love".

This concert goes from 7:30 pm to 10:00 pm. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on for the latest on Patty Griffin.


Patty Griffin: (Austin, TX)

Genre: Folk, Rock, Alternative

AHI: (Brampton, Ontario)

Genre: Indie Soul, Art Folk

** PATTY GRIFFIN'S 2018 ACOUSTIC TOUR **

 

"Every Patty Griffin song arrives fully and perfectly formed, which is perhaps her greatest gift. Her songwriting is honest and compassionate no matter the subject.

Her voice is uniquely compelling and her guitar work unfailingly evocative.

She's a songwriter at the top of her already formidable game."

-NPR

GRAMMY® Award-winning singer/songwriter Patty Griffin has announced an acoustic tour beginning May 1st at The Blue Door in Oklahoma City, OK, and ending May 19th at Gruene Hall in New Braunfels, TX. All dates except the Gruene Hall show will see Griffin performing with her deeply talented long-time guitarist David Pulkingham. The Gruene Hall show will be a full-band performance featuring David Pulkingham on guitar, Craig Ross on bass and Conrad Choucroun on drums. The complete tour dates are below.

Patty Griffin is among the most consequential singer-songwriters of her generation, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. Over the course of two decades, the two -time GRAMMY® Award winner (and seven-time nominee) has crafted nine classic studio albums and two live collections, a remarkable body of work in progress that prompted the New York Times to hail her for "writing cameo-carved songs that create complete emotional portraits of specific people...her songs have independent lives that continue in your head when the music ends."

Based in Austin, TX, Griffin made an instant mark with her 1996 debut, Living With Ghosts, and its 1998 follow-up, Flaming Red - both now considered seminal works of modern folk and Americana. Griffin has since received a number of prestigious accolades, notably the Americana Music Association's "Artist of the Year" and "Album of the Year" (for 2007's GRAMMY®-nominated Children Running Through) as well as the 2011 GRAMMY® Award for "Best Traditional Gospel Album," honoring 2010's Downtown Church.

Griffin is currently working her ways towards her eagerly anticipated next album, as open as ever to new sounds and new songs. Her goals in the meantime are far more earthly, contributing to the wellbeing of the planet and showing compassion for the less fortunate among us via personal and public acts of charity including 2016's "Use Your Voice" tour in conjunction with the League of Women Voters, and the 2017 "Lampedusa Tour" supporting the Jesuit Refugee Service. Having already crafted a catalogue that chronicles love and death, heartache and joy, connection and detachment, Griffin is continuing to push her art forward, as always imbuing every effort with compassion and craft, uncanny perception and ever-increasing ingenuity.

For more information, please visit www.PattyGriffin.com.


Tuesday, April 10, 2018

Expectations: @wildchildsounds w/ @stelthulvang Tues. 4/17 @BlueberryHillMO @DuckRoom + Wed. 4/18 @RoseMusicHall



On Tuesday, April 17th Wild Child will be coming to the Blueberry Hill Duck Room along with Stelth Ulvang. This show is presented by Pagan Productions. The doors open at 7:00 pm and the show starts at 8:00 pm. General admission is $15.00 and minors incur a $2.00 surcharge. Visit HERE for the event details on Facebook.

Also, on Wednesday, April 18th 102.3 BXR presents Wild Child with Stelth Ulvang at Rose Music Hall in Columbia, Missouri. The doors open at 7:00 pm and the show is scheduled to start at 8:00 pm. Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on for the latest on Wild Child.


- Wild Child: (Austin, TX)

Genre: Indie

https://www.wildchildsounds.com

https://www.facebook.com/wildchildsounds

- Stelth Ulvang: (Fort Collins, CO)

Genre: Songwriter, Instrumentalist

https://www.stelthulvang.com

https://www.facebook.com/StelthUlvang


WILD CHILD RELEASE NEW SINGLES

“SINKING SHIP” AND “BACK & FORTH”

FROM THE NEW ALBUM EXPECTATIONS

OUT FEBRUARY 9, 2018 ON DUALTONE RECORDS

TOURING ACROSS THE US AND CANADA THIS SPRING


Photo Credit: Sean Daigle

Austin’s Wild Child are excited to share two new singles from their their new record, Expectations, out February 9th on Dualtone Records. “Sinking Ship” and “Back & Forth” were produced by Max Frost and Delta Spirit’s Matthew Logan Vasquez respectively, and make their debut via Consequence of Sound’s Origins feature. Kelsey Wilson describes solace found in a Shel Silverstein book and the use of a recorded heartbeat for “Sinking Ship”, and Alexander Beggins explores the pair’s creative process behind “Back & Forth”, for which they drew inspiration from songs by Nina Simone and Aretha Franklin (read more). This February, Wild Child played a string of record release shows across Texas before embarking upon a massive North American tour throughout March, April, and early May. 

Stream “Sinking Ship” and “Back & Forth” via Spotify or SoundCloud

In addition to recording with Vasquez and Frost, the Austin, Texas-based band traveled far and wide in order to work with multiple producers (and accomplished musicians in their own right) on Expectations including; Chris Walla (formerly Death Cab For Cutie), Chris Boosahda (Shakey Graves), Scott McMicken (Dr. Dog), and Adrian Quesada (Grupo Fantasma).

Watch the music video for “The One” via YouTube

Stream “Think It Over”  and “Expectations” via Spotify or SoundCloud

Pre-Order Expectations via Dualtone Records

For seven years now the Austin-based ensemble Wild Child has carried its infectious melodies across the international music scene, charting viral hits and wrapping their arms around a diverse and dedicated fan base. But earlier this year when the band set out to make their fourth studio album, they found they had their hands full: After half a decade of maturation, the group had grown beyond its traditional writing and recording process.

“We had too many ideas for how we wanted to make this record” says Kelsey Wilson, the group’s lead vocalist and violinist. She shrugs. “So we said, ‘Why not just do all of them?’”

The group realized this offered an exciting opportunity to make a kind of record bands rarely get right: To take a new, multispectral approach to writing and recording that went beyond simply trying to engineer success. The band made a list of their favorite musicians who were also great producers in their own right — choosing ones they thought would shine a new and unique light on specific compositions — and then Wild Child set about chasing their album from studio to studio all over the world, never saying no to an idea.

The result — the band’s fourth album, Expectations — is Wild Child’s most creative, colorful and intellectually engaging album to date.

Now a seven-piece pop mini-orchestra (Wilson on violin and vocals; Alexander Beggins on ukulele and vocals; Sadie Wolfe on cello; Matt Bradshaw on keyboards, trumpet, and harmonica; Tom Myers on drums; Cody Ackors on guitar and trombone; and Tyler Osmond on bass), Wild Child formed in 2010 when the group’s core duo of Wilson and Beggins wrote and released their first album, Pillow Talk.

Wild Child shaped their last record, Fools, in the shadows of more than one failed love, and Expectations, as the title suggests, is a continuation of that personal experience into an awakening. Wilson and Beggins, whose voices fit each other as naturally as any family act, pushed their boundaries as writers, drawing freely from the stories they’ve lived as well as the artists around the world that have inspired their growth. Their rate of output over that last year got them thinking differently about producing, focusing on one track at a time. “We’ve always focused on the record as a whole. We wanted to think about each track as it’s own piece- but somehow it all fits together,” Wilson says of the approach.

That route took them around the world — from Chris Walla’s studio in Tromsø, Norway, where the Northern Lights are the brightest in the world, to a home-built warehouse studio on the outskirts of Philadelphia, where Scott McMicken picked up the bass and “joined the band for a week,” arranging harmonies and sharing living and recording space. Back in Wimberley, Texas, Matthew Logan Vasquez set up a makeshift studio in Kelsey Wilson’s beloved childhood home — abandoned since the floods of 2015 — where they found the muses were eager to resurface. The group also tapped the talents of frequent tour mate Chris Boosahda, Atlantic Records recording artist Max Frost, and Grammy-winning producer Adrian Quesada.

The result is a theater of possibilities, with arrangements that reflect the range of tastes of the producers, from scruffy lo-fi tape hiss, to smoothed out precision-cut electronic pop sounds.  And the more you listen to Expectations, the more the many worlds of this project begin to cohere around you. After all, one of the great joys of traveling the world is discovering surprising connections: A skyscraper in Barcelona reminds you of a spire in the Utah desert; the Northern Lights in the Norwegian sky look like an oil slick on the Philadelphia pavement. Expectations, an album which can by turns be bitter, wistful, angry, and flirtatious, is rich with these surprising rhymes across the record.

wildchildsounds.com

facebook.com/wildchildsounds

dualtone.com

Wednesday, March 28, 2018

Nightstand: @tancredjess @westernersband @heartswithholes aka (#Mess) Wed. 4/4 @riotroom + @1023BXR Presents @julienrbaker w/ @tancredjess Thurs. 4/5 @the_blue_note



Tancred has a new album coming out at the beginning of June entitled, "Nightstand". The debut single was recently released and Tancred is about to go on tour. On Wednesday, April 4th Tancred will be playing at The Riot Room in Kansas City, Missouri. The supporting acts are Westerners and also Mess. The doors open at 7:00 pm and the show begins at 7:30 pm. Tickets are $10.00 in advance and $12.00 day of show. This event is 21 and up only. Visit HERE for the event details on Facebook.

The following evening 102.3 BXR presents Julien Baker with Tancred on
Thursday, April 5th in Columbia, MO at The Blue Note. The doors open at 7:30 pm and the show starts at 8:30 pm and goes until midnight. Tickets are $15.00.
Visit HERE for the event details on Facebook. Continue on below to visit the artists online and to check out their music. Follow on for more about the artists.

- Julien Baker:

https://www.julienbaker.com

Google Julien Baker: https://g.co/kgs/5YUu4K

- Tancred:

Genre: Pop Rock

https://tancredmusic.com

Google Tancred: https://g.co/kgs/S4RxrB

- Westerners: (Lawrence, KS)

Genre: Indie, Garage, Psych Rock

https://www.facebook.com/westernersband

https://www.westerners.bandcamp.com

- Mess: (Kansas City, MO.)

Genre:  Alternative, Indie

https://www.heartswithholes.tumblr.com

https://www.facebook.com/heartswithholes/

https://heartswithholes.bandcamp.com


                ** About Julien Baker **

Julien Rose Baker (born September 29, 1995) American singer and guitarist from Memphis, Tennessee, United States. She is a member of the alternative rock band Forrister, formerly known as The Star Killers.[2]She released a studio album, Sprained Ankle, on 6131 Records in 2015, and a second full length release, Turn Out the Lights, on Matador Records in 2017.

StyleEdit

Baker has met critical acclaim for her performance and songwriting, described as emotively cathartic, as well as a fresh take on folk music.[9] Her album Sprained Ankle has been described as featuring pared-back fragile songs, while Turn Out the Lightsfeatures more developed song structures while retaining the raw emotion of its predecessor.[by whom?]

CareerEdit

In 2010, Baker cofounded a band called The Star Killers, which renamed itself Forrister in 2015.[10][11][12] During her freshman year at MTSU, Baker began writing songs on her own, often in the university practice rooms late at night.[13][5] With a friend, Michael Hegner, she recorded an EP at Spacebomb Studios, which she self-released in the winter of 2014 on Bandcamp[14] which became the studio album Sprained Ankle, in October 2015.[12] Sprained Ankle topped many 2015 end-of-the-year lists and its success led to features in The New Yorker and The New York Times.[15][16]

On March 7, 2016 she performed on an NPR Music Tiny Desk Concert.[17] During that set she referenced a new song called Sad Song #11 which was later titled "Funeral Pyre" and released with "Distant Solar Systems" as the b-side.[18] Baker contributed a song titled "Decorated Lawns" to the Punk Talks winter compilation called Jingle Yay which released December 1, 2016.[19]

Baker has opened for bands including Death Cab for CutieConor OberstThe DecemberistsBelle & Sebastian, and Paramore. In 2017 she signed to Matador Records,[20] releasing a 7" of the songs "Funeral Pyre" and "Distant Solar Systems". An LP, Turn Out the Lights, recorded at Tennessee's Ardent Studios with help from Sorority Noise's Cameron Boucher, was released on October 27, 2017.

On October 28, 2017, Baker made her national television debut on CBS This Morning and on January 3, 2018, she made her late night debut on The Late Show with Stephen Colbert.


                   ** About Tancred **

TANCRED ANNOUNCES NEW ALBUM NIGHTSTAND

OUT JUNE 1ST ON POLYVINYL RECORD CO.

HEAR THE FIRST SINGLE “REVIEWS” DEBUTED ON NPR MUSIC

ON TOUR WITH JULIEN BAKER - DATES START NEXT WEEK



Photo Credit: Shervin Lainez

Tancred is proud to announce the forthcoming release of the new album Nightstand, out June 1st on Polyvinyl Record Co. Produced by Lewis Pesacov (Best Coast, Generationals), Nightstand is the follow up to Tancred’s (aka Maine based musician Jess Abbott) well received 2016 release Out of The Garden, which won praise from Stereogum, The FADER, Rookie, and many others while leading to tours with the likes of Speedy Ortiz and Weaves. NPR Music shared the first single “Reviews,” praising Abbott for her ability to “write a booming melody that cuts through a wash of guitars, screaming her insecurities to the beat of a chugging drum kit,” going on to applaud how she “has polished her songwriting into a resplendent pop shine.” This April Tancred will hit the road with Julien Baker for dates across the Midwest and East Coast.

* Stream “Reviews” via NPR Music and YouTube

* (Pre Order Nightstand http://plyvnyl.co/nightstand)

“This new album takes a step back from the energy of my last album to bring in a little more vulnerability,” Abbott tells NPR Music. “‘Reviews’ felt like the right first single because it holds some of that same propulsion the last album had, but also opens a secret door into a more introspective vibe present throughout Nightstand.”

Nightstand is an album born out of an unexpected revelation Abbott experienced following her transformation into a more confident person, one full-throatedly declared on 2016’s plucky Out of the Garden. “After I became comfortable in this new skin, in truly being myself, I was immediately hit with loneliness,” she reveals. “I realized that human connection is really important to me.” And so Abbott began a new journey of personal exploration, one that involved connecting with other people just as much as connecting with herself. “I was reading a lot of books, learning a lot of new hobbies, meeting so many new people -- just taking in as much information as possible to try and figure out what it really meant to me to be alive,” she recalls.

As with her previous work, the writing process for what would become Nightstand consisted of Abbott alone in her room with just a guitar, strumming chords and singing words until gradually songs began to coalesce -- though this time around she made it a point to devote three days a week for an entire year to only playing music.

As a result, when the recording process began with Lewis Pesacov (Best Coast, Generationals) at his home studio in LA, the focus was less on finishing songs and more on perfecting them. Working with Pesacov offered new approaches – and gear – previously undiscovered by Abbott, affording her avenues of exploration that dialed in the production and tone on each and every song. “My favorite part of each day was sitting down to decide which guitar we needed to use for the song we were recording,” recalls Abbott. “It sounds so simple and I know most records are made this way, but it was my first time actually being able to do that and I loved it.”

The positive effects of this nourishing environment are evident throughout Nightstand, as on propulsive first single “Reviews,” showcasing Abbott’s strong melodic sensibilities balanced with purposeful, well-placed instrumentation. Or “Queen of New York,” which captures the feelings of fleeting lust set against a metropolitan backdrop, all within an effervescent three-minute bop.

Of course, it wouldn’t truly be a Tancred album if the upbeat melodies didn’t also serve to sugarcoat Abbott’s often somber lyrics about the experience of being a woman and being queer in today’s society. But even she is quick to emphasize that there is still comfort to be found during times of isolation or alienation: “Ultimately, we are all feeling these things together, and that can be enough to feel less alone. There’s a hopefulness in the loneliness.”


         ** About Westerners and Mess **

Balancing dark, intelligent lyrics with upbeat, catchy instrumentals fit to air on the radio, Westerners create a unique intensity. Recorded and produced by Joel Nanos at Element Recordings (Kansas City), their latest four-song EP release has gained praise in the Midwest, building their fan base and showcasing their folky appeal with words drenched in sadness, while maintaining psych-rock soaring guitar solos that are bound to fill you with
superficial elation. It translates into a fiery performance, one that will likely get
you stomping your feet in approval.
- Nadia Imafidon, LJWorld.com

* For more press quotes and info. on Westerners visit HERE. Be sure to check out the latest release on Bandcamp by Mess.