This Thursday evening at the Heavy Anchor is a real treat for those that attend. Super eclectic female-fronted synth-pop band, GGOOLLDD (Milwaukee, WI.) is in town and sharing the stage with them is none other than the one woman musical enigma known as Syna So Pro (STL). This is a 21 and up show and will start at 9PM and will be done by 12AM. For more info. visit the Facebook event HERE.
$7 for venue side, free to get in the bar side.
GGOOLLDD has shared the stage with the likes of: Blondie, Passion Pit, The Kooks, Yelle, Death From Above 1979, Yacht, Sylvan Esso, Alvvays, Har Mar Superstar, and The Polyphonic Spree, among others. Additionally, they released their latest single “Undercovers,” which was co-produced and mixed by Ben H. Allen (Animal Collective, Gnarls Barkley, Walk The Moon). Domino Records has added the track on Spotify’s “Best of Indie” playlist and it was also featured in an episode of E!’s ”So Cosmo”.Watch the music video for the track above. Additionally, they’ll be playing at this year’s SXSW festival.
Visit GGOOLLDD on their website HERE and on the socials at Facebook or Twitter.
Syrhea Conaway is Syna So Pro. She is a multi-instrumentalist and music instructor who lives and works in St. Louis. Writing, arranging, and performing music since age 10, Conaway has earned several medals in District, and State competitions as well as performing in Carnegie Hall with the National Youth Chorus at the age of 18. She has since performed for TEDx Gateway Arch, given musical speeches for the Arts and Education Council, been a panelist on “Women in Music”, moderated a conversation as a part of USDAC and the Regional Arts Commission’s CultureSHIFT 2016, and opened for many national artist such as, Asobi Seksu, Future Islands, and Paul Rucker (cellist/artist). Conaway has also collaborated with world renown ensemble Alarm Will Sound for a performance at the Sheldon Concert Hall in 2015 as well as a plethora of local artists in addition to performing at multiple festivals over the years in the area. Below is a video shot at a Lo-Fi Cherokee's festival and is this week's #VIDEOOFTHEWEEK.
Slothrust (Boston, MA) are currently touring in support of their long awaited third album "Everyone Else" and they are stopping by our region with two select dates. And The Kids (Northampton MA ~ Ottawa, ON ~ New York, NY) are touring along with them on some dates and will accompany them at both events happening around our area. The first is part of the ALT 104.9 Discovery Series on Saturday, March 11th at the Blueberry Hill's Duck Room in the Delmar City Loop. That show is all ages and the general admission is $12.00 at the door. Minors incur a $2 surcharge at the door. The doors open at 7PM and the show is at 8PM. Tickets are also available in advance and the rest of the info. is included in the event page on Facebook HERE and is a Pagan Productions event. The second show is the following day on Sunday, March 12th in Kansas City, MO. at The Tank Room. The cost is also $12.00 for that show and is all ages. The doors are at 7PM and the rest of the info. is included on the event page on Facebook HERE.
Slothrust deliver ten riveting anthems that reward repeated listens. The songs grab the ear and pierce the psyche with complex arrangements and lyrical depth intensified by guitarist/vocalist Leah Wellbaum’s penetrating vocal delivery.
Slothrust is Wellbaum, Kyle Bann (bass), and Will Gorin (drums). The trio first staked out their unique strain of jazz- and blues-afflicted rock as students at Sarah Lawrence College. The band’s 2012 debut Feels Your Pain, and its successor 2014’s Of Course You Do, established the band as a breed apart, serving up deceptively clever epics that veer satisfyingly between incandescent riffing and pop hooks, winsome anxiety and powerful heft.
“People have always had trouble comparing us to other bands, but someone recently described us as Nirvana meets Wynton Marsalis, and I loved that,” says Wellbaum. Even the band’s name inspires a beat of thoughtful consideration as the eyes take in the letters and the brain makes its snap judgement: Slo Thrust? Slot Rust? Slo Trust? Sloth-Rust.
We all studied jazz and blues, so I often use chords and voicings that aren’t quite as conventional for contemporary rock,” she continues. “Certain harmonic movement can get stale, so I try to incorporate colorful notes to give it more depth. The improvisational spirit of blues music is also something we try to always keep with us, even in more composed playing. I am drawn to musicians a bit further outside of the rock tradition, such as John Fahey, Elizabeth Cotten, D'Angelo, and Portishead. Growing up I listened to a lot of R&B and classical music. And musicals."
They've received a lot of press relating to their recently released LP 'Everyone Else'. NPR said, “Listen to songs by Slothrust, and you'll hear aggressive sounds that hearken back to early-'90s rock bands like Nirvana and Dinosaur Jr. Listen more closely, and you'll also hear elements of the blues that the band’s members learned when they met in their college's jazz program."
Village Voice also praised their aesthetic saying, "Tender finger-picking passages lurch into crashing speed-metal crescendos, loping country-western equestrian odes edge into menacing horror-movie pizzicato and back again."
Visit Slothrust on the website HERE and on their socials: Facebook or Twitter.
Growing up, often the safest haven to plot your dreams and get a handle on your identity is within the confines of trusted friendships. For the musicians in the critically acclaimed band And The Kids, these bonds have been a life raft. But as friendships evolve from adolescence to young adulthood, sometimes the lines between friends, lovers and all that comes in between can grow murky. On the Northampton, MA-based band’s latest, "Friends Share Lovers" the group And The Kids examines blurred boundaries in close-knit relationships.
“The friends we grew up with were troublemakers, lost souls, dropouts, and mother figures,” says And The Kids guitarist and vocalist Hannah Mohan. “The title references the incestuousness of friend groups and how things get messy.”
And The Kids channel existential crises into pop euphoria. With this sleight of hand, the quartet manages to conjure chunky indie rock, blissful new wave, chamber folk, jarring avant-garde, and brawny classic rock.
Mohan navigates this expansive creativity with aplomb. Effortlessly she swoops heavenly for high tones, digs deep for swaggering rock n’ roll low tones, and manages to mash up sweet sass with new wave bliss for a vocal feel that masks sage wisdom beneath sweet innocence. In addition to Mohan, And The Kids is Rebecca Lasaponaro on drums, Megan Miller on synthesizers and percussion, and bassist Taliana Katz. The quartet’s beginnings couldn’t be better scripted: Mohan and Lasaponaro met in band class in seventh grade. A few years later, the duo dropped out of school and found themselves at a learning center that provided them with a free rehearsal space. There they practiced everyday, inspired by such diverse artists as Modest Mouse, Rilo Kiley, The Doors, and The Police, among others. Those formative moments in friendship and music have been everlasting.
In 2012, the fledging duo met Meghan when the three were interns at the Institute for the Musical Arts in Goshen, MA, and soon after welcomed her into the band. Recently, Miller has battled visa problems as a Canadian citizen and has been forced out of the United States for five years. To show the strength of their bonds as friends and artists, And The Kids chose to record Friends Share Lovers in Montreal so that Miller could participate. Recently, the trio added bassist Taliana Katz, a close and trusted friend who also attended IMA, to maintain a full sound live in Miller’s forced absence from American touring.
